25. The World on Higher Downs- A Muted Street Song It’s rare that a piece can have both an immediate and a powerful lasting effect on you. I don’t know whether it’s the delicious timing or the precious layers of such beautiful, delicate melodies, whether it’s the transcendent layering of such unique instrumentation, computerized or otherwise, or whether it’s simply the immense pleasure of having it softly glide passed the fortunate ears it’s gracing, “A Muted Street Song” is just, as plainly as I can put it, a fucking beautiful song. (Mac Nguyen)
24. Giants - The Palace Stands in its Proper Place This is a warning: if you are the sort of person who like to use shuffle mode, this song has the kind of intro that could shock you out of your seat. Immediate and powerful, Giants let you know right away whether or not “The Palace Stands in its Proper Place.” Quick to the punch when so many other songs of this type are still winding up, “Palace” is almost as astonishing in its succinctness as in its impact. Juggling between slow and fast, I say that if this song doesn’t leave you reeling, then your name is Mike Tyson – and you’re probably too busy eating babies to notice anyway. For everybody else, this song is a condensed nugget of consummate enjoyment. Just expect to have a few bruises afterwards. (Tom Butcher)
23. Vladislav Delay - I Saw a Polysexual Once Sasu gets going, he’s really impossible to stop. Halfway through one of his best albums he breaks out “I Saw a Polysexual,” the epitome of the restrained and condensed Vladislav sound. “I Saw a Polysexual” manages to cram microhouse groove, bubbly dub basslines, and Sasu’s trademark kitschy electronic style into a powerful and nearly transcendent track. (Jack Britton)
22. Explosions in the Sky -The Birth and Death of Day Four years ago, it would have been inconceivable to think that Explosions in the Sky’s next album would not even make the top 50 instrumental releases of the year. But here we stand, with an EitS-less list. That their still-pretty-damn-good All of a Sudden I Miss Everyone could be absent speaks volumes about how far the genre has progressed, and how far they have not. Still, they do have moments of greatness remaining, if this track is to be believed. With a raw authenticity and ferocity which was sorely missed on the rest of the new LP, “The Birth and Death of the Day” shows that this poster-child of post-rock may have some life in it yet. One thing’s for sure: if the whole album had been this good, they’d be sitting pretty. (Tom Butcher) 21. Aerial - My God, It's Full of Stars Aerial’s piece is an unfolding discovery, brought to life in a real, raw, and memorable sense. The equal amount of joy and aggression, discerningly timed throughout, makes it the perfect sample to encapsulate the album it comes from. The gorgeous instrumental layers in the opening to this song add a bonus symbolic analogy to the title: the crashing of the cymbals could be the ‘surprise’ element (‘My God’), while the twinkling guitar work may be the ‘stars’, all in distinct stop-start timing. The very brief inclusion of vocals also serves the bridge of this song well. (Mac Nguyen) 20. Eluvium - Repose in Blue There are some pieces of music which I simply can't listen to without imagining them providing the soundtrack for some sort of beautiful film sequence, and this closing track to Eluvium's February release, Copia, is one of those. If we were to succumb to satisfying predictability, the film sequence in question would of course be in sweeping slow motion, maybe in monochrome, and not very much at all would happen. It would, however, happen in a particularly beautiful way. This is a picturesque track to end a picturesque record and has provided the backdrop for many cold walks home this winter. (Fred Bevan)
19. Signal Hill - California is Too Long I t’s always nice when you randomly find a promising new band on myspace – and it’s even better when that band illustrates exactly why your initial impressions should be trusted with the release of a stunning EP. For me, Signal Hill is one such discovery. Drawing on influences such as The Mercury Program, The Six Parts Seven and, erm, Twin Peaks, “California Is too Long” must rank as one of the more uplifting instrumental songs of the year, with an enticing blend of intertwining guitars and piano sandwiched around a rather intriguing soundbite. (Richard White)
18. To Be a High Powered Executive - Cosummation To Be a High Powered Executive were an unexpected surprise this year, and “Consummation” highlights why we are falling for the charm of this curiously named group. Hooking us with guitar riffs that could dwell near lampposts and charge by the hour, the piece ushers in relentless, energetic drumming that would transform the perception of whatever platform you’re standing on into a dance floor. There is a seldom a moment where it loses its momentum, and its progressively loudening yet consistently catchy nature would easily make a real crowd-pleaser. (Mac Nguyen)
17. Tulsa Drone - The Catch “The Catch” doesn't seem all that impressive on the surface – there is no chaotic climax, no frenetic time changes, no monumental riffs, nothing, in short, to make the listener say “Wow, this is a wicked track!” But as the song bores into your consciousness, all of the little things Tulsa Drone does so well come to light. From the warm drone of the bass dulcimer, to the neatly plucked guitar, to that bass line that you just can't get out of your head, everything just melds together perfectly, highlighting everything that makes Songs for a Mean Season a diamond in the rough of the instrumental scene. When the trumpet comes in to usher the song to its close, any doubts of the band's merit are cast aside, and you realize that this is truly one of the most addictive tracks of the year. (Zach Mills) 16. Sennen - Redshift The opening track you've not heard from an EP you've not heard that somehow managed to climb its way way to the top of a list of bands you've not heard is, well, pretty darn good. Redshift is a sexy track that just oozes coolness. I imagine these cats have no problem seducing any lady that comes their way and have the pick of the litter whenever they take the stage. Don't believe me? Just try to keep your pants on when that trumpet barges in nine minutes into the track. (Lee Whitefield) 15. Joy Wants Eternity - Above the Cloud Lies Eternal Sun The second track from Joy Wants Eternity’s long-awaited debut album, “Above The Clouds Lies Eternal Sun” greatly appeals to the mathematics geek in me - in a similar vein to Mogwai’s “Ex-cowboy,” this song represents a damn fine musical approximation of a symmetrical bimodal distribution curve (well I did warn you I was a geek). Following a placid intro, layers of melodic and tremolo-infused guitar lines build to a crescendo. A second climax follows a brief lull, with the layers gradually unraveling as the track draws towards a close – the whole affair lasting less than four minutes. What “Above The Clouds Lies Eternal Sun” lacks in quantity, it more than makes up for in quality. (Richard White) 14. Pg.Lost - Yes I Am With their 2005 demos giving no more than a tantalizing glimpse of the wonders still to come, Pg.Lost’s debut EP is one of the unexpected highlights of 2007. The title track is an enchanting, delay-fueled melody which fades out to nothing just shy of 4 minutes. Most bands would quite reasonably call it a day here, safe in the knowledge that they’d created a masterpiece – not Pg.lost, though. After a hiatus lasting several seconds, a lone drum beat kicks the song back into action, with some crushing distortion bringing the track to a brilliant finish. (Richard White) 13. Six Parts Seven - Stolen Moments I feel like I could write about this song forever. It starts off gradually with gentle guitars and then those horns sound off at thirty seconds in, and absolutely everything seems perfect in this world. Ladies and gentlemen: I welcome you to the most sublime auditory moment of 2007. The song meanders along, maintaining its spiritual magnificence for another three minutes, and then, almost as quietly as it came into being, “Stolen Moments” is gone. Rarely is music so pleasant; rarer still is it so tender. This is the sort of music that makes you feel like hugging everybody around you. Every note drips with hidden meaning, awaiting the listener’s interpretation – stolen moments indeed. (Tom Butcher) 12. Balmorhea - Dream of Thaw The beauty of Balmorhea’s music is that it speaks almost inherently to the heart. The whispered, aluminum resonances of the solely acoustic “Dream of Thaw” elucidates this maxim. The band’s exquisite self-titled album includes similar offerings that flirt between James Blackshaw and Summer McKane tendencies, yet they rarely reach the emotional heights of the melodic beauty and minimalism shown here - the dueling guitars weave a gorgeous pattern of repeating chords and riffs that sound organic and profound. For five minutes Balmorhea are enchanting, simple and so very, very special. (Alex Bradshaw) 11. Cue - Can You See My Skeleton "Can You See My Skeleton" is a triumph of a piece in so many ways. Nesting in amongst a veritable banquet of standout tracks from Wedding Song by chamber-rock cum post-rock underdogs ‘Cue, it is a seven and a half minute epic. So many different styles present themselves to the listener, from triumphant chamber-rock to subtle meditative pizzicato via distorted fist-shaking mayhem. Barely has one song felt so much like a whole album in both stylistic scope and emotional diversity, that you are left just as excited as the last notes fade away as you were when the frantic violin presents itself at the beginning. (Barry Smethurst)
10. Efterklang - Himmelbjerget “Himmelbjerget” showcases the astounding range and depth achievable by everyone's favorite Danish post-rockers. The track moves from dark to light and back again, stretching the apparent boundaries of musical expression until they are large enough for Efterklang to breathe in, and forcing everyone who comes after them to up their game if they want to reach the heights of expression that Efterklang seem to pull off so easily. This track, aptly named after the highest point in Denmark (the word means “Sky Mountain”), is the highest point of the band's career so far – a fitting testament to the song's craftsmanship and beauty. (Zach Mills) 9. Johnnytwentythree - Ghost Soldiers Few post-rock tracks actually merit being as long as they do. Clocking in somewhere past twenty minutes, "Ghost Soldiers" is a notable exception. Johnnytwentythree really are masters of the quiet-loud dynamic medium. On "Ghost Soldiers," they execute the most important part of the build-up better than almost any other band: the development. J23 take the time to develop their themes, so when they peak, it is actually worth it. Ghost Soldiers is a perfect example of how to write an instrumental song, ignore gimmicks and let the music speak for itself. (Jack Britton) 8 . The Pirate Ship Quintet - I Kina Spinser De Hund In China they may eat dogs, but “I Kina Spiser De Hund” is more like the filet mignon of quiet-loud post-rock than the meat of its namesake. A pounding, driving intro gives way to a soft, ambient affair dominated by intertwining cello and piano. But this is a quiet-LOUD song, and just when you think The Pirate Ship Quintet has winded the song down to nothing, it explodes even louder than before, causing a few jumps of shock from unsuspecting listeners. The primal scream at the end acts as an exclamation point, demonstrating to all the world that this is a band that will not be ignored. (Zach Mills) 7. 65daysofstatic - Don't Go Down to Sorrow As the first glimpse from The Destruction of Small Ideas, ”Don’t Go Down to Sorrow” showcased what the third album from 65daysofstatic was all about. The gentle piano led intro, dismissed as too quiet and poor production by many, is ultimately intentional, forcing you to strain and appreciate every note, making it so much sweeter when the melody kicks in. Metal chugging takes over, before the signature sound of frenetic guitars and electro beats brings everything to a climatic end. Only one band is capable of making this blissful noise, and that band is 65dos. (James Ould)
6.Ours to Alibi - Beacons Despite not snagging a spot on the larger album feature, Ours to Alibi must be doing something right in order to grab the slot for ninth greatest track of the year. And it is so; "Beacons" is perhaps the best composed epic track of 2007. A personal favorite, it sends chills down my spines every time I turn it on. Even though the album at large had its fair share of issues, "Beacons" is the closest to perfection we saw in 2007. Year after year I keep expecting to get tired of the epic post-rock gig, but with tracks like this, it's near impossible not to get completely lost in Ours to Alibi's majestic sound. Hopefully the next release taps more into this magical sound. (Jordan Volz) 5. Beware of Safety - To the Roof...Let's Jump and Fall A piece which sat comfortably atop our weekly top tracks for weeks on end, Beware of Safety’s epic conclusion to its impressive debut EP would inevitably find a place on this list. It could be said that the ends, a heartbreaking guitar melody patiently built up in layers until its cathartic climax, justify the means of an overused quiet-loud structure. It could also be said that the ability Beware of Safety demonstrate in their flawless execution, largely due to its tight and balanced composition, not only excuses them from quiet-loud framework, but altogether elevates the standard of climactic delivery in quiet-loud music. (Mac Nguyen) 4. Battles - Tonto It really could have been any song taken from the superb Mirrored that made this list, but we’ve plumped for “Tonto,” the possibly Wizard of Oz inspired middle point of Battles debut offering. Altered tempo guitar loops start things off, bringing in warped vocals to play over that infectious melody, as the track hurtles towards a couple of customary tempo changes and intricate guitar work, before that melody winds everything down to a slow and gentle stop, and seven joyous minutes have passed you by. (James Ould) 3. Holy Fuck - Lovely Allen Holy Fuck will probably always be known as the messed up electronic gear heads. Their EP and full lengths exhibit a true understanding of classic electronica, and their modern approach puts them miles ahead of most contemporary acts. But "Lovely Allen" is an insight into the tender heart of Holy Fuck. It shows that they have not forgotten how powerful a good melody can be when coupled with lethal beats. Lovely Allen combines post-rock conventions with traditional Holy Fuck electric mayhem in a truly unique and breathtaking way. (Jack Britton) 2. Kashiwa Daisuke - Program Music I It would be an absolute lie to say I had not balked slightly at the prospect of having to write a blurb for this particular piece of music. I am impeded not only by doubts of my ability to do it justice, but also by the sheer scale of the piece. At just under 36 minutes long, to try and describe the song as a whole for those who have not necessarily heard it before and who might be put off by such an apparently unwieldy timestamp is a fairly daunting task, even though I suspect that most who have actually listened to the song in its entirety would be able to assert that at no point does the length begin to become even slightly noticeable in a pejorative way. This is one of those tracks which reveals new moments you hadn't previously noticed the genius behind on every successive listen. The sigh which fleetingly interrupts the music at 5m2s, the entrance of that stellar driving section at 13m6s, the chromatically descending strings transition at 20m57s. I personally cannot fault this track on anything. Daisuke's attention to detail is breathtaking and I suspect somewhat humbling to those of us who have ever even attempted to compose a multi-instrumental piece of music. I hesitate to use such slapdash platitudes as to call this a masterpiece, and perhaps in the future Daisuke will surpass even my expectations of him, but cautious cynicism aside this truly is a magnificent track. (Fred Bevan)
1. Caspian - Crawlspace When Caspian first previewed – or should I say unleashed? – a track from The Four Trees to a hitherto unsuspecting audience, even die-hard fans sat up to take notice. Worlds away from their debut EP, the sublime “Crawlspace” represents a considerably darker, heavier side to the band. A pizzicato intro gives way to some frankly fierce guitar lines, but let your attention stray at your peril – the calm before the storm (and by ‘storm’ I mean the post-rock equivalent of Hurricane Katrina) comes at around the five-and-a-half minute mark. Earplugs are entirely optional, but don’t say I didn’t warn you. (Richard White)
Once upon a time you dressed so fine You threw the bums a dime in your prime, didn't you? People'd call, say, "Beware doll, you're bound to fall" You thought they were all kiddin' you You used to laugh about Everybody that was hangin' out Now you don't talk so loud Now you don't seem so proud About having to be scrounging for your next meal.
How does it feel How does it feel To be without a home Like a complete unknown Like a rolling stone?
You've gone to the finest school all right, Miss Lonely But you know you only used to get juiced in it And nobody has ever taught you how to live on the street And now you find out you're gonna have to get used to it You said you'd never compromise With the mystery tramp, but now you realize He's not selling any alibis As you stare into the vacuum of his eyes And ask him do you want to make a deal?
How does it feel How does it feel To be on your own With no direction home Like a complete unknown Like a rolling stone?
You never turned around to see the frowns on the jugglers and the clowns When they all come down and did tricks for you You never understood that it ain't no good You shouldn't let other people get your kicks for you You used to ride on the chrome horse with your diplomat Who carried on his shoulder a Siamese cat Ain't it hard when you discover that He really wasn't where it's at After he took from you everything he could steal.
How does it feel How does it feel To be on your own With no direction home Like a complete unknown Like a rolling stone?
Princess on the steeple and all the pretty people They're drinkin', thinkin' that they got it made Exchanging all kinds of precious gifts and things But you'd better lift your diamond ring, you'd better pawn it babe You used to be so amused At Napoleon in rags and the language that he used Go to him now, he calls you, you can't refuse When you got nothing, you got nothing to lose You're invisible now, you got no secrets to conceal.
How does it feel How does it feel To be on your own With no direction home Like a complete unknown Like a rolling stone?
Tracklist: 01 Port Royal-karola bloch flares 2005 02 one starving day-silver star domain broken wings lead arms to the sun planaria 2005 03 God Is An Astronaut-fragile All Is Violent All Is Bright 2005 04 broken social scene-fire eyed boy Broken Social Scene 2005 05 Calla-it dawned on me Collisions 2005 06 sequence pulse-parade railroad to heaven 2005 07 shelter red-with sabres masters of the universe 2005 08 te'-Avarice would speak with every word.... naraba, imi kara kaihou sareta hibiki ha oto no sekai no shinen wo kataru 2005 09 tides-aurora resurface 2005 10 vehicle-Scarlett Lotlizard you a stevedore! 2005 11 volcano!-frozen in escape beautiful seizure 2005 12 youth pictures of florence henderson-yet we continue to build there, the structure unnoticable in a tiny town, invisible in the city 2005 13 the strange death of liberal england-mozart on 33 stop-go happy-sad-forward-forward 2005 14 Yuba-The road Land Scape 2005 15 bell orchestre-salvatore amato recording a tape the colour of the light 2005
Tracklist： 01 Amiina-hemipode animamina 2005 02 The Lights From Here-Birdmouth The Lights From Here 2005 03 brass knuckle surfer-sunset the art of life 2005 04 bright red paper-dis for dead sea bright red paper 2005 05 by the end of tonight-setting sail in april a tribute to tigers 2005 06 french teen idol-some moral content french teen idol 2005 07 The Mile End Ladies String Auxiliary-Low Pressure Phenomena From Cells Of Roughest Air 2005 08 the sea, like lead-last vestiges of rust The Sea, Like Lead 2005 09 Grails-satori (flower travellin' band cover) interpretations 2005 10 holy fuck-tone bank jungle holy fuck 2005 11 irepress-pah no samus octology 2005 12 neil on impressions-like hippos running to the moon the perfect tango 2005 13 honey for petzi-black buisson man's rage for black ham 2005 14 My Education-dirty hands italian 2005 15 65daysofstatic-Radio Protector one time for all time 2005
突然又一次想起一句老歌词：在我变老之前死去(I hope I die before I get old)。老摇滚，曾经的辉煌，the who 的这句歌词就是年轻的代名词（当然，我所说的年轻并不全是年龄上，最主要的是心理），而那首歌《my generation》所描述的那一代，我们也曾有相似的经历，理所当然的，我们也已失去。 很多老歌，不会在去经常听了，但是每次偶然的机会听到，总是莫名的感动。去年看《迷失东京》时听到Juses & Marychain的《just like hony》就有种想重新去找寻Shoegaze的足迹。前两天刚看一部老片《因父知名》，讲的是父子关系，还有一些政治上的东西，这些尚且不谈，音乐已经够让我感动的了。开始时Jimi Hendrix的《Voodoo Chile》中绚烂迷离的吉他,然后是Bob Dylan《like a rolling stone》中那种漂泊与无望。时间用它的冷漠记录了一切，乌托邦幻想、理想主义、摇滚精神，淡然远去；当事人、历史见证者、后来的寻迹者，逝去或改变。当某个大歌星大言不惭地说着自己很摇滚，当老Bob Dylan用对于荣誉的感动代替年轻的沧桑时，我们还能说什么？我们失去了多少？我们又拥有什么？我们还拥有的那个，是不是叫做回忆？ 岁月带走美好的东西，曾经的一切遗落在残风中，一次次的，在世俗面前低头，生命正常的延续。在我变老之前死去，豪言壮语，永远保持激情，永远拥有探索的动力。但是，试问有谁能永远年轻呢？The Who自己没有做到，那帮老头子不时的还出来做做演出，又有谁能做到呢？大海之上，升起茫茫大雾，晨曦中，隐隐约约看见红日的微光，找不到航行的方向……
The Who－My Generation
People try to put us d-down (Talkin' 'bout my generation) Just because we get around (Talkin' 'bout my generation) Things they do look awful c-c-cold (Talkin' 'bout my generation) I hope I die before I get old (Talkin' 'bout my generation)
This is my generation This is my generation, baby
Why don't you all f-fade away (Talkin' 'bout my generation) And don't try to dig what we all s-s-say (Talkin' 'bout my generation) I'm not trying to cause a big s-s-sensation (Talkin' 'bout my generation) I'm just talkin' 'bout my g-g-g-generation (Talkin' 'bout my generation)
This is my generation This is my generation, baby
Why don't you all f-fade away (Talkin' 'bout my generation) And don't try to d-dig what we all s-s-say (Talkin' 'bout my generation) I'm not trying to cause a b-big s-s-sensation (Talkin' 'bout my generation) I'm just talkin' 'bout my g-g-generation (Talkin' 'bout my generation)
This is my generation This is my generation, baby
People try to put us d-down (Talkin' 'bout my generation) Just because we g-g-get around (Talkin' 'bout my generation) Things they do look awful c-c-cold (Talkin' 'bout my generation) Yeah, I hope I die before I get old (Talkin' 'bout my generation)
Artist: Laura Title: Radio Swan Is Down Location:Australia Stylesost Rock/Experimental,Ambient Record Label: alone again records Band Website: wearemappingyourdreams
Laura的新专出来了。这个来自澳洲的团，大家应该不陌生了，可能有很多人都很喜欢他们去年的专辑。不过Laura这次的改变不可谓不大，感觉变得偏阴暗，倒是更合我胃口，听听吧。 Mofile提取码： laura - 2006 - radio swan is down.part1.rar 2332321984910401 2006-10-06 12:51 laura - 2006 - radio swan is down.part2.rar 4334324259211492 2006-10-06 12:49 laura - 2006 - radio swan is down.part3.rar 0810804062510435 2006-10-06 12:24
Tracklist: 01 Tarantula AD-the century trilogy i, conquest Book of Sand 2005 02 the autumn project-Of Memoriam fable 2005 03 the coma lilies-clamp laughing gas opera 2005 04 Vidavox-preoccupation with syncopation Vidavox 2005 05 Belegost-Azaghal Belegost EP 2005 06 we vs. death-pictures from stellenbosc postneoliberalparadise 2005 07 Beef Terminal-say it to my face anger do not enter 2005 08 milhaven－drink a pint of blood a day bars closing down 2005 09 Damn Dirty Apes-E Minor Bells Ape Kill Ape 2005 10 always the runner-miles an august golf 2005 11 jesu-your path to divinity jesu 2005 12 Nice Nice-Crown and Corona Pt. 2 summer 2005 13 Yellow6-Never Stay Too Long Melt Inside 2005 14 tristeza-Liquid Pyramids a colores 2005 15 world's end girlfriend-we are the massacre the lie lay land 2005
01 Tarantula AD02 the autumn project03 the coma lilies04 Vidavox05 Belegost06 we vs. death07 Beef Terminal08 milhaven09 Damn Dirty Apes10 always the runner11 jesu12 Nice Nice13 Yellow614 tristeza15 world's end girlfriend
Tracklist 01 Cricket Rumor Mill-events unfold If Only Then 2005 02 The Low Frequency In Stereo-desert astro kopp 2005 03 the timeout drawer-i fall so far and i fall so high nowonmai 2005 04 Tracer AMC-Concorde Islands 2005 05 Aether-Apart Apart 2005 06 Crombie-Take a Walk Into the Forest Forest Walk 2005 07 byla-closer to the center byla 2005 08 Cue-Every Wing All at Once Bring Back My Love 2005 09 Ellis the Vacuumchild-peace by extermination Peace by Extermination 2005 10 Immánu El-Radicalradical Killerwhale EP 2005 11 Melodium-untitled 5 Hum hum&Bla bla EP 2005 12 no-neck-blues band-lugnagall qvaris 2005 13 pg.lost-siren st demo 2005 14 pivot-make me love you make me love you 2005 15 seidenmatt-bergen If You Use This Software Often - Buy It 2005
01 Cricket Rumor Mill02 The Low Frequency In Stereo03 the timeout drawer04 Tracer AMC05 Aether06 Crombie07 byla08 Cue09 Ellis the Vacuumchild10 Immánu El11 Melodium12 no-neck-blues band13 pg.lost14 pivot15 seidenmatt-bergen
Tracklist： 01 loss of a child-hope caught and lost 2005 02 camping-saza + zaas dancing days 2005 03 sparrows swarm and sing-part ii untitled #2 2005 04 friends of dean martinez-all in the golden afternoon lost horizon 2005 05 bossk-ii bossk 2005 06 the evpatoria report-taijin kyofusho golevka 2005 07 Detwiije-would you rather be followed by forty ducks for the rest of your life would you rather ... your life 2005 08 hood-any hopeful thoughts arrive outside closer 2005 09 hrsta-Swallow's tail stem stem in electro 2005 10 Menomena -Water Under an Hour2005 11 pelican-aurora borealis the fire in our throats will beckon the thaw 2005 12 red sparowes-alone and unaware the andscape was transformed in front of our eyes at the soundless dawn 2005 13 souls vibrating in the universe-reap happiness all these worlds are yours 2005 14 tarentel-paper white paper white 2005 15 sweek-trust me The Unbelievable Cinematic Crash 2005
01 loss of a child02 camping03 sparrows swarm and sing04 friends of dean martinez05 bossk06 the evpatoria report07 Detwiije08 hood09 hrsta10 Menomena11 pelican12 red sparowes13 souls vibrating in the universe14 tarentel15 sweek
Tracklist 01 reigns-the fattest goose shall be soonest to the spit we lowered a microphone into the ground 2005 02 Miaou-a bird in the hand Make these things alrigh 2005 03 sennen-i couldnt tell you widows 2005 04 Souvaris-Mnemonic Matador of Shame 2005 05 shora-klarheit malval 2005 06 Subtract By Two-A Transgression Suite (part 2) Agoniser Ecrire 2005 07 Tape-sand dunes Rideau 2005 08 The Samuel Jackson Five-Skinflick Dress Rehearsal Easily Misunderstood 2005 09 Upcdowncleftcrightcabc+Start-Shallows And The Battle Is Won 2005 10 This is Your Captain Speaking- angels Storyboard 2005 11 Viva las Vegas-A Sara 2 2005 12 windsor for the derby-giving up Giving Up The Ghost 2005 13 September Malevolence-Sinister Tomorrow We'll Wonder Where This Generation Gets its Priorities From 2005 14 Don't Look Back-Ask The Dust Brighter 2005 15 Yndi Halda-Dash And Blast Enjoy Eternal Bliss EP 2005
01 reigns 02 Miaou03 sennen04 Souvaris05 shora06 Subtract By Two07 Tape08 The Samuel Jackson Five09 Upcdowncleftcrightcabc+Start10 This is Your Captain Speaking11 Viva las Vegas12 windsor for the derby13 September Malevolence14 Don't Look Back15 Yndi Halda
发表话题
ost Rock/Experimental,Ambient 
